Unlike many, Sakamoto's carreer did not start with TV works. The eighties and nineties brought equally refreshing voices to the world of film music, but two composers in particular would gain recognition for their sweeping and romantic works: Joe Hisaishi and, of course, Ryuichi Sakamoto. The seventies brought us the explosive percussions and jazzy thrills of composers such as Toshiaki Tsushima (The Yakuza Papers theme). During the sixties, the fiercly atonal and superb scores made possible by the japanese New Wave cinema movement (Toru Takemitsu immediately comes to mind) would go on to inspire many Western ears and minds. Ryuichi Sakamoto: If Japan remains one of the most influentual and original contributers to the world of film, then the same has to be said about its great composers in relation to the world of film music.
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